Scores

Duration: c.3.20'

  Duration c.5.30’ Text: setting of quotations from Julian of Norwich’s Revelations of Divine Love Themes: love, redemption, light, grace, the Motherhood of God Musical content: The piece has a rich harmonic texture that builds from and revolves around a three-part mediaeval Stella Maris Nuncuparis which dates from Julian of Norwich’s time c.1350. Suitable for: professional or able amateur choirs All Shall Be Well was commissioned for ORA Singers by the Rt Hon Patricia Hewitt. The first performance was given on 11th July 2021 under the direction of Suzi Digby at the Gresham Centre, as part of the Live from London Summer concert

Duration c.4’

An Extra Day is a work for unaccompanied double choir commissioned by Princeton Glee Club. The piece is a setting of February 29th by Jane Hirshfield (duration 4 minutes)

Total duration: c.4’

Dedicated to my goddaughter Beatrice Temmink, the first performance was given at Temple Church, London on Friday 15th December 2017, where it was performed by the BBC Singers, conducted by Owain Park.  SSATBB

Duration c.5’

In Winter’s House was commissioned by Tenebrae and first performed by the choir at their concert at the Wigmore Hall on 1st December 2019.

Duration c.5’

In Winter’s House was commissioned by Tenebrae and first performed by the choir at their concert at the Wigmore Hall on 1st December 2019.

Duration c.3’

All proceeds from the sale of this music will go directly to UNHCR the refugee charity.

Lamma Bada is an SATB setting of one of the most famous melodies of the Arab world, in an SATB setting, suitable for Arabic or English speaking choirs as the score includes phonetic pronunciation.

Difficulty: intermediate

Duration c.7’ Martha and Mary for SSAATB and chamber organ, was commissioned for the choir of Sidney Sussex College Cambridge to celebrate 40 years of women at the college. The first performance was on Saturday 22nd October 2016.

Two part song for upper voices children’s choir. A setting of a cautionary poem by Brian Pattern from “Juggling With Gerbils” Difficulty level: easy

Duration: c.5’ Text: setting of e.e. cummings poem of the same name Themes: a child’s prayer, optimism, hope, dreaming, spring, sleep, death and rebirth, the seasons, snow and rain Musical content: The piece that builds from simple chords into an intense 8 part texture with lots of shifting movement between the parts that serves to anchor the strong pulse and drive the piece towards its climax. The range is large – Sopranos 1 and 2 have a couple of top Bs and Bass 2 reaches down to low C sharp at one point. Suitable for: professional or able amateur choirs Now I lay (with everywhere around) was co-commissioned by Norfolk & Norwich Festival and I Fagiolini Charitable Trust for I Fagiolini's programme, ‘ReWilding The Waste Land’, 2021.The first performance was given by I Fagiolini and Voces8 on 14^th August 2021 under the direction of Robert Hollingworth at the Gresham Centre, as part of the Live from London Summer Festival.

Duration c.3.20'

Choral work for 6 part choir AATTBB written in aid of the Cathedral Choirs’ Emergency Fund for performance by British cathedral lay clerks, July 2020

Dur: 5 minutes A work in five parts for SATB choir and organ on the theme of the Holy Spirit. The text is a hymn by Hildegard von Bingen and the work was commissioned by New College Oxford to celebrate 40 years of women being admitted to the college. First performed on 29^th October 2019. Difficulty level: intermediate.

Duration c.3’30’’

Oculi Omnium is a setting of the College Grace text used by Sidney Sussex College, Cambridge. It was commissioned by David Skinner and Sidney Sussex to celebrate its Commemoration of the Foundation and was first performed on 18th March 2017 at the college feast.

Unison song for upper voices children’s choir. It is a setting of a cautionary poem by Brian Pattern from Juggling with Gerbils Difficulty level: easy  

Duration 7’ 30” Text: setting of John F Deane’s poem of the same title Themes: nature, plants, gardens, birds, romantic love, beauty, rebirth, eternity Musical content: The piece is based on a three bar quotation from Kenneth Leighton’s God’s Grandeur. The bars occur very near the end of his work as it draws towards its final cadence. In The World Is Charged, these three bars repeat like waves following each other. The work calms to a stillness in the central portion but then picks up and moves off again to an incandescent ending. There is a sense of chamber music in the piece as each part moves very independently, maintaining its individual importance. Suitable for: professional or able amateur choirs The World Is Charged was co-commissioned by Norfolk & Norwich Festival and I Fagiolini Charitable Trust for I Fagiolini's programme, ‘ReWilding The Waste Land’, 202.1The first performance was given by I Fagiolini and Voces8